05月13日

Born in 1930, Koichi Kato became one of Japan’s most respected entertainment critics. He wrote reviews and essays that offered nuanced perspectives on cinema, theater, and television. Kato’s critiques were published in major newspapers and magazines, influencing both public and industry opinion. He had a keen eye for performance quality and narrative structure, championing emerging talents alongside established artists. Beyond reviews, he lectured at universities and participated in film festival juries. His work helped shape critical discourse in Japan’s post-war entertainment landscape. Kato continued to critique cultural productions until his passing in 1990, leaving an enduring mark on arts journalism.

1942年に生まれ、検察官として数多くの事件を担当し法曹界で経験を積む。 その後弁護士に転身し、スポーツ法務への関与を深める。 1998年から2004年まで第13代日本野球機構（NPB）コミッショナーを務め、日本のプロ野球改革を推進。 在任中は国際大会参加促進や選手保護策の整備などに尽力。 退任後もスポーツ振興と法制度の発展に寄与し、2022年に逝去。